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here to find information on a specific museum.
Within
the first decade of the initial Mormon settlement of Utah
in 1847, plans were discussed for the establishment of
a museum. The Universal Scientific Society was formed
in 1854 to promote "a museum, library and reading
room" in Salt Lake City. In the autumn of 1855 two
French scientists spent a month in Utah. Their report
commented that the "Mormons have for some time been
occupied by the idea of founding a universal museum. They
have already got together a considerable quantity of objects."
The United States government was also interested in the
flora, fauna, and geography of the new lands that were
being opened up and, in fact, had sent expeditions into
the territory beginning in 1843 J.C. Frémont. Specimens
collected were deposited with the sponsoring surveys,
agencies, and museums in Washington, D.C., where many
are still preserved today.
In 1869 John W. Young, son of Brigham Young, established
a museum near Temple Square as a private venture. The
one-story adobe building was initially known as the Salt
Lake City Museum and Menagerie, and it included a variety
of live native animals as well as a cageful of monkeys.
It ultimately became the Deseret Museum, from which other
Utah museums would spin off or benefit from by obtaining
some of its collections.
The Desert Museum's first caretaker was Guglielmo Sangiovanni,
who was succeeded by Joseph L. Barfoot in 1870. In 1871
the museum and curator Barfoot, without the menagerie,
moved into other quarters. Exhibits focused on home manufactures,
minerals, fossils, prehistory, and items of Mormon Church
history. Ownership of the museum passed to the Mormon
Church in 1878. Dr. James E. Talmage, a scientist and
president of LDS College, became the first professional
curator in 1891 and served until the museum's dissolution
in 1918. At that time the collections were divided up,
with the taxidermied animals and some prehistoric items
going to Brigham Young University, the geological specimens
and some animals to the University of Utah, and the bulk
of the pioneer historical material being retained by the
church.
The church collections resided in Temple Square's Bureau
of Information until 1976, and were later transferred
in 1983 to the newly built Museum of Church History and
Art immediately west of Temple Square. This building currently
houses extensive collections and exhibits. The museum
is part of the LDS Church's Arts and Sites Division which
also oversees other historic Mormon sites in the United
States.
Two organizations have been instrumental in museum developments;
they are the Daughters of Utah Pioneers (DUP) and the
Sons of Utah Pioneers (SUP). The DUP was formally chartered
in 1901 and sought to find a permanent home for its pioneer
collections, starting a fund-raising effort toward this
goal in 1911. With their own resources and additional
state support, construction of the Pioneer Memorial Museum
near the State Capitol Building was completed in 1950.
The state-owned building is occupied on a 99-year lease.
According to art historian Dr. Robert Olpin, "they
own and maintain one of the most extensive pioneer art
collections in the nation." The DUP is organized
by counties, and is further divided into "camps,"
many of which maintain small one-room relic halls in towns
throughout the state.
The Sons of Utah Pioneers was organized in 1933. Its "collection"
began in 1934 and was actually attributable to the Horace
Sorensen family, who provided substantial funding and
space. The Sorensens assembled an important collection
of pioneer vehicles, railroad stock, equestrian equipment,
structures, guns, etc., which was located in the East
Millcreek area of Salt Lake City, where it was known as
Pioneer Village. The collection itself was deeded to the
SUP in 1955, and was later sold to the owners of Lagoon
Amusement Park in Farmington, where it has remained since
1976 as a commercial attraction.
The Utah State Historical Society was founded in 1897,
and later joined with the Utah Division of State History,
a state agency. The division took on its museum mission
when it moved into Salt Lake's historic Rio Grande Railroad
Depot in 1980. Its collection is known as the Utah State
History Museum, and has expanded considerably in a few
short years, particularly in non-Mormon material culture.
Various other state agencies/entities have contributed
to the growth of exhibits, museums, and collections in
Utah; they include the Utah Arts Council, the Utah Division
of State Parks, and the state's several universities and
colleges.
The Salt Lake Art Association was formed in 1881 through
the efforts of Alice Merrill Horne. From this beginning,
the "Alice Art Collection" grew into the Utah
Art Institute, founded in 1899. Annual purchases of exhibition
works through the years have resulted in the core of a
respectable state art collection under the aegis of the
Utah Arts Council, which maintains gallery spaces.
Utah's first state park, the old Territorial Capitol Building
in Fillmore, was opened in 1930. It was the predecessor
of eight more interpretive state park sites/museums now
managed by the Division of State Parks. Their specific
designations (and locations) are Anasazi (Boulder), Edge
of the Cedars (Blanding), Camp Floyd/Stagecoach Inn (Fairfield),
Fremont Indian (twenty miles southwest of Richfield),
Iron Mission (Cedar City), Pioneer Trail (Salt Lake City),
and Utah Field House of Natural History (Vernal). Subjects
range from dinosaurs to prehistoric humans to pioneers
and early military history.
In 1892 the University of Utah emerged from the University
of Deseret, absorbing parts of the earlier institution.
Museum collections were primarily for teaching purposes.
Some were assembled by Dr. Talmage, who, in addition to
holding a university chair in geology, continued to curate
the Deseret Museum collection previously mentioned. Departmental
scientific collections were developed from the turn of
the century on, the most spectacular being a huge array
of dinosaur bones quarried by the university at Jensen,
Utah, in 1924. The Earth Science Museum, located in a
remodeled university cafeteria, was built in the early
1930s to showcase the dinosaur materials. Another departmental
museum in the Anthropology department was constructed
in 1950 in a World War II army mess hall adjacent to Fort
Douglas. Both museums, which were closed in 1969, were
essentially the forerunners of the Utah Museum of Natural
History. The Fort Douglas Military Museum, founded in
1974, located on the original fort property, is operated
cooperatively by the Utah National Guard and the university,
the landowner.
The Utah Museum of Natural History was established at
the University of Utah by the legislature in 1963. This
state museum, opened in 1969 in the former George Thomas
Library, features anthropological, biological, and geological
materials in a unified program of exhibits, education,
and research. Specimens include those from the Deseret
Museum as well as from the Charles Nettleton Strevell
Museum that was located in the old Lafayette School on
South Temple Street from 1939 until 1947.
Efforts to establish a Utah Museum of Fine Arts go back
to the days of Alice Merrill Horne. The University of
Utah created the UMFA in 1951 with its acquisition of
the art collection of former Utahn, Mrs. Richard Hudnut.
Its collection was housed originally in the Park Building;
a new building for the museum was constructed as part
of the Art and Architecture Center and opened in 1970.
Greatly expanded and valuable collections coupled with
a program of major traveling exhibitions have established
it as the premier art museum in the state.
Several other museums associated with the state should
be mentioned. The Prehistoric Museum at the College of
Eastern Utah in Price was founded in 1961 and has doubled
its space with the construction of a new facility in 1991.
Its exhibits and collections focus on the Central Utah
region in the fields of anthropology and paleontology.
Weber State University's Museum of Natural Science in
Ogden was founded in 1969 and serves primarily as a teaching
museum in the areas of biology and geology. Farther north
in Logan, the Nora Eccles Harrison Museum of Art, founded
in 1982 and located at Utah State University (USU), features
traveling exhibits and exhibitions from its contemporary
and Native American collections. USU's Man and His Bread
Museum, founded in 1959, features agricultural equipment
and buildings, from circa 1840 to 1950, in an off-campus
outdoor farm setting.
The Salt Lake Art Center, originally known as the "Art
Barn," was founded in 1931 near the University of
Utah. An art school and gallery in the beginning, this
private organization moved to the county-owned Salt Palace
complex in 1979. Its collections and exhibitions focus
on contemporary art.
While many museum efforts have been centered in the Salt
Lake Valley, developments have taken place elsewhere in
the state. Moab established a museum in 1958; currently
known as the Dan O'Laurie Museum, it features the prehistory,
history, and geology of the area. In Green River, the
John Wesley Powell River History Museum was opened in
1990. This was followed in 1991 by the Museum of the San
Rafael, in Castle Dale, whose theme is the natural history
of Emery County. The Western Mining and Railroad Museum
was established in Helper in 1964. A counterpart, the
Tintic Mining Museum, was founded in Eureka in 1973. The
Fairview Museum of History and Art in Sanpete County was
founded in 1966; it displays historical artifacts and
models of sculptor Avard Fairbanks. As is the case with
most small Utah museums, these organizations are manned
by volunteers.
In Utah County, the state's second most populous, the
Springville High School Art Gallery was begun in 1903.
Later named the Springville Museum of Art when its building
was dedicated in 1937 as a community facility, it holds
a broad representative collection of the works of Utah
artists. Also in Utah County, under the auspices of Brigham
Young University a number of museum facilities have developed
over the years in Provo. Beginning in 1965, the BYU art
department assumed curation of collections in galleries
of the Harris Fine Arts Center. This important collection,
rich in Utah, American, European, and Oriental art, moved
into a major new facility known as the Museum of Art at
BYU in 1993. In 1978, the Monte L. Bean Life Science Museum
was founded and initially built around the hunting trophies
of its namesake and benefactor; the museum also has other
exhibits and curates valuable scientific collections.
Anthropological materials, some from the Deseret Museum,
are curated in the off-campus Museum of Peoples and Culture.
Important fossils collections, especially dinosauria,
under the care of the geology department occupy a separate
campus building known as the "Ossuary."
In downtown Provo, unrelated to BYU, is the private McCurdy
Historical Doll Museum, established in 1979. To the north
of Provo in Lehi is the private Hutchings Museum of Natural
History, an eclectic collection established in 1955.
The Ogden Union Station Museum opened in 1978; its holdings
include railroad memorabilia as well as the significant
Browning firearms collection and the Browning-Kimball
Car Museum. The Eccles Community Art Center, housed in
one of Ogden's historic mansions, focuses on local and
Utah art. At nearby Roy, the new Hill Air Force Base Museum
has an outstanding collection of aircraft and artifacts.
The Brigham City Museum-Gallery, north of Ogden, was founded
in 1970 and focuses its exhibits on art, handicrafts,
and local pioneer history.
Space limitations prevent listing the many worthwhile
Utah organizations that provide historic, cultural, aesthetic,
or natural history experiences. In the Salt Lake Valley
and environs the Wheeler Historic Farm, the Hansen Planetarium,
the Children's Museum of Utah, Tracy Aviary, Red Butte
Gardens and Arboretum, and Hogle Zoo should be mentioned.
In Park City, the Kimball Art Center and the Park City
Museum are also worth visiting.
Utah's museums have developed because of the desire of
its citizens, educators, and community leaders to preserve
the state's heritage of diverse culture, art, and unique
natural history. This has been accomplished with minimal
public resources. The movement has been enhanced and facilitated
by a strong Utah Museums Association, founded in 1972.
Donald V. Hague
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